The New Yorker: Bill Hader
Kwaku Alston's early photography assignments from The New Yorker were a game-changer for his career development. Fast forward to 2023, he had the honor of shooting with the talented Bill Hader. For the shoot, he went back to basics with his #Deardorff 8x10 camera and expired B&W film, focusing on composition and mood. Shooting with a large format 8x10 film camera is where Kwaku feels most at home, allowing for a collaborative effort between subject and photographer, where creativity happens in the moment.
Star+: Hache
Martin Sigal photographs key art for “Hache: What Shall Not Be Named.” In a thrilling docu-series, Argentinian journalist, Jorge Lanata, investigates social issues sparking thrilling new conversation.
Starz: Ghost
Level up! #PowerGhost is back and better than ever! Key art photographed by Kwaku Alston.
Emmy Magazine: Rachel Weisz
Robert Ascoft photographs Rachel Weisz for Emmy Magazine to promote her new show Dead Ringers on Amazon Prime.
Broadway: Good Night, Oscar
We are hearing RAVE REVIEWS for the Broadway show, “Good Night, Oscar,” featuring Sean Hayes. Key art photographed by Robert Ascroft
Doors opened April 7, 2023
